Cao Lanh - XON + MAAG Original title "Cao Lanh - XON + MAAG ", portait of a young man and a statue of an older man behind him, appear to be in a library ?
Cao Lanh - XON + MAAG Original title "Cao Lanh - XON + MAAG ", a man (police officer) standing next to a car, appear to be doing some paper work
Cao Lanh - XON + MAAG Original title "Cao Lanh - XON + MAAG ", a man standing by the door, look like a farm warehouse, with a car parked up front
Cao Lanh - XON + MAAG Original title "Cao Lanh - XON + MAAG ", a man (police officer) standing next to a car
Cao Lanh - XON + MAAG Original title "Cao Lanh - XON + MAAG ", a group of people making wire in a "tent?"
Cao Lanh - XON + MAAG Original title "Cao Lanh - XON + MAAG ", 2 men cooking in a yard, a tree and some houses in the background
Cao Lanh - XON + MAAG Original title "Cao Lanh - XON + MAAG ", sone people doing farm work ?
Beverly Keever in the Saigon AP Office Beverly Keever sits at a desk talking on the phone in the Saigon AP Office. The wall behind keever is covered in calendars, maps, and schedules. The desk next to Keever has a small sign reading "Larry L. Rutt Lúc Giáºn Thi Dủng Nói[?]." In the background, a man sits near a pidgeonhole cabinet.
Beverly Keever presenting a conference poster Beverly Keever presenting a conference poster on teaching journalism at the University of Hawai’i Manoa, 2003. The Conference poster is titled “Integrating Learning: From Idea to Story to Newspaper to Web” by Professors Ann Auman and Beverly Keever.
Beverly Keever in her Saigon apartment, 1964 Beverly Keever in her Saigon apartment, 1964. Keever used her apartment at 101 Cong Ly Street as an office when she worked at the New York Herald Tribune.
Keever with UNL Journalism students University of Nebraska Lincoln Journalism students, 1956. This photo was taken as a promotional photo for the department. Keever sits in the center of the photo writing on a typewriter
Indonesian men dyeing cloth Original title: "Indonesian Arts and Crafts Negs [Negatives]." Two Indonesian men stand in a room with barrels of dyeing fabric. One man looks at the camera and the other lifts the fabric in a large sieve. From a scrapbook page 10.
Indonesian man dyeing cloth Original title: "Indonesian Arts and Crafts Negs [Negatives]." An Indonesian man stacks dyeing barrels in a large warehouse-style room. From a scrapbook page 10.
Indonesian woman putting wax on batik cloth Original title: "Indonesian Arts and Crafts Negs [Negatives]." A Indonesian woman applies wax to a piece of fabric to create batik. She holds a canting in one hand and the fabric in the other. From a scrapbook page 10.
Indonesian man stamping batik cloth Original title: "Indonesian Arts and Crafts Negs [Negatives]." An Indonesian man stamps wax onto fabric to make batik. There is wooden furniture stacked against a wall in the background. From a scrapbook page 10.
Indonesian man stamping batik cloth Original title: "Indonesian Arts and Crafts Negs [Negatives]." An Indonesian man stamps wax onto fabric to make batik. There is wooden furniture stacked against a wall in the background. From a scrapbook page 10.
Indonesian men stamping metal bowls Original title: "Indonesian Arts and Crafts Negs [Negatives]." A group of Indonesian men sit together around a low table with a large tub of water and a teapot in front of them. They appear to be stamping patterns into metal bowls and plates. One of the men looks at the camera. From a scrapbook page 10.
Indonesian men shaping metal Original title: "Indonesian Arts and Crafts Negs [Negatives]." Indonesian men sit on the floor, spread apart in a large room filled with hammers, anvils, vices, and other metalworking tools. The man sitting closest to the camera seems to be shaping a spoon or cooking tool. From a scrapbook page 10.
Sarawak night street market Original title: "Sarawak." A street market at night. On the left of the frame are stalls and vendors, selling kitchen goods and jewelry. On the right are tables with people eating. In the center of the photo is an aisle with shoppers walking. Walking toward the camera is a man holding hands with two boys. From scrapbook page 13.
Sarawak street at night Original title: "Sarawak." View of a Sarawak street at night. There are cars on the road and buildings lit with flourescent signs and bright shop windows. One business is labelled "Crane Shoes." The other signs are in Chinese characters. One building appears to be a jewellry store, since it has a ring on its sign. From scrapbook page 13.
Sarawak street at night Original title: "Sarawak." View of a Sarawak street at night. There are cars on the road and buildings lit with flourescent signs and bright shop windows. One business is labelled "Crane Shoes." The other signs are in Chinese characters. One building appears to be a jewellry store, since it has a ring on its sign. From scrapbook page 13.
Sarawak night street market Original title: "Sarawak." Night market in a Sarawak street. The market is crowded with people, especially women in fashionable dresses. The signs in the market are largley in Chinese characters. From scrapbook page 13.
Sarawak music seller's stall Original title: "Sarawak." A stall in a Sarawak night market selling LP records and some printed materials (possibly small books). There are 3 vendors and 1 customer in the photo. The stall is decorated with LP covers and there is a record player behind the case. From scrapbook page 13.
Sarawak music seller's stall Original title: "Sarawak." A stall in a Sarawak night market selling LP records and some printed materials (possibly small books). There are 3 vendors and 2 customer in the photo. The stall is decorated with LP covers and there is a record player behind the case. From scrapbook page 13.
Sarawak street at night Original title: "Sarawak." View of a Sarawak street at night. There are cars on the road and buildings lit with flourescent signs and bright shop windows. One business is labelled "Crane Shoes." The other signs are in Chinese characters. One building appears to be a jewellry store, since it has a ring on its sign. From scrapbook page 13.