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Karen Blessen Journals

2020 Journal_010

Item

An open aged journal with handwritten text on yellowed pages discussing family communication and healing.
Title
2020 Journal_010
Alternative Title
2020 Journal
Creator
Karen Blessen
Date
2020
Description
The image displays an open, aged journal with yellowed pages and deckled edges. The journal is hand-written in dark ink, showing visible texture and signs of wear. The handwriting is cursive, with some words underlined and sentences formatted in a free-flowing manner. The left page contains several lines of text discussing concepts of family communication and story perception. The right page discusses roles and healing, referencing a character named Jonathan and a wound clinic. Both pages are full of writing, with a casual and personal tone.
Dates Completed
January 1, 2020 - January 30, 2020
Keywords
2020; New decade; Chart; Road metaphor; Bricks; Mortar; Rest stops; Dangers; Human body; Mortality; Poignancy; Connections; Sadness; Grief; Aging; Australia fires; Horror of 2020; $81,000 grant; Trust for Public Land; Texas Trees Foundation; Jonathan McNulty; David McNulty; Murder; Wounds; Baby elephants; Dream; “You are unstoppable”; NYC trip; FIVE HUNDRED YEARS OF WOMEN’S WORK; Lisa Unger Baskin Collection; Grolier Club; NYC libraries; Book display; Collections; Researchers; Lisa Unger Baskin; Magical day; Well being; New York Public Library; J.D. Salinger exhibit; Made at NYPL exhibit; Wallace Shawn; Artifact display; Book binding; Women in France; Inexplicable well being; Wave not the water; Broadway; Central vein; Long leaf; Walking; Orthopedic surgeries; Morgan Library; Duane Michals; Word and Image; NYPL; Animal skin fortune; Met Breuer; Home is a Foreign Place; Jody Shields; Metropolitan Museum; Friday evening; Cafe Sabarsky; Free man in Paris; Recollection; Recognition of freedom; Responsibility; Central Park; Beacon Hotel; Room with a view; Magic; Best Small Garden award; Dallas
Transcription
His descriptions of the family communications [redacted] took me directly back to the intricacy of agitations I felt when working on the story.

Now, things are different. Then I saw everything as a story like singers see everything as a song.

Now, and after the mutual acknowledgement of the growth of people from the murder, I ask, what is my role?

It feels more personal and more about being a part of the 'healing of Jonathan.’

Like a nurse would clean a wound, bandage it and layout the protocol for healing.

A wound clinic.

He asked if we could get together every month, then he said every two weeks. I said yes! Let's connect when I get back from N.Y., after the 12th.

How do wounds heal that go so deeply into body and mind?
Rights
To inquire about usage, please contact Archives & Special Collections, University of Nebraska-Lincoln Libraries. These images are for educational use only. Not all images are available for publication.
Is Part Of
2020 Journal
Relation
Image Gallery